Amarok

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Amarok
Portada
Álbum de estudio
Lanzamiento 14 de junio de 1990
Grabado Septiembre 1989 – Marzo 1990
Duración 60:02
Sello Virgin
Productor(es) Tom Newman, Mike Oldfield
Cronología
Earth Moving
(1989)
Amarok
(1990)
Collector's Edition Box I
(1990)

Amarok is a record album written and mostly performed by Mike Oldfield. It was his thirteenth new album and is considered by fans to be his most unique work: a single sixty-minute track of continuous, uninterrupted but constantly-changing music. It is also noted for having almost none of the music or sound generated purely by electronic means, Oldfield eschewing synthesizers for "real" instruments and sound sources.

Contenido

History

Virgin Records had been trying to convince Oldfield to release a sequel to Tubular Bells, though probably more for the name recognition than anything else, particularly as Oldfield's contract was due to expire. Instead, he created an album that seems to have been designed to be as much a delight to his fans as it was a frustration to Virgin.

It is next to impossible to isolate any one short, radio-friendly section of Amarok without it seeming out of place, and thus no single could be cut and released separately, nor could the album ever be played on popular radio. Similarly, Amarok has never been performed live in its entirety, though Oldfield has played excerpts from time to time. Oldfield had expressed many times his displeasure at Virgin's lack of promotion of his works, and Amarok might have been his revenge: a completely unmarketable album that still showcased his talent as a composer and performer.

In addition to his usual impressive list of instruments, Oldfield also employed a number of items in Amarok's creation such as shoes, spoons, a Hoover vacuum cleaner and "contents of aeromodeller's toolbox".

Both Amarok, along with Heaven's Open (Oldfield's final album for Virgin) can be seen as a definite "farewell" to the company, and not an overly polite one, either. A Morse Code message at 48 minutes into the piece spells out "FUCK OFF RB", no doubt targeted at Richard Branson. Similarly, the album's backcover reads: " HEALTH WARNING - This record could be hazardous to the health of cloth-eared nincompoops. If you suffer from this condition, consult your Doctor immediately "

Though tubular bells are used on the album, they are obtusely listed in the liner notes as "long thin metallic hanging tubes," possibly a humorous way for Oldfield to avoid bringing to mind his first work. This may also have been one more snub at Virgin. Oldfield did not release the much-desired sequel to Tubular Bells until he was with Warner Brothers.

Many fans do claim that Amarok is to be considered "Ommadawn II", and certainly, Oldfield seems to have involved many of the same people that were a part of Ommadawn: Jabula, Clodagh Simmonds, and Paddy Maloney performed on both. Also, William Murray, who co-wrote the song "On Horseback" for Ommadawn, took the Amarok cover photo and wrote the short story included in the liner notes.

Meanings of the title

The origin of the name has always been a point of contention. Oldfield has said in the past that it was chosen for its sound rather than any particular meaning, but numerous theories abound:

  • "Amaroq" is Inuktitut for "wolf".
  • "Amárach" is Irish for "tomorrow." It is pronounced with a long second 'a'.
  • The words "amarok" and "amadán" (the origin of Ommadawn) begin with roughly the same "ama" sound, and there is sufficient evidence that Amarok is a sequel of sorts to Ommadawn.
  • It could also be that since this was the next to last album that Oldfield did for Virgin Records, it may have been a pun on "(I) am a rock" that is, that Oldfield was stating that he was capable of standing on his own without Virgin.
  • The final part, "Africa", has the "Sondela" chorus sung in Xhosa. In this prefix-based African language, the language itself is isiXhosa, and the nation is amaXhosa (prefix ama- for many people). Hence, "amaRok" could also be pig Xhosa for "the people of Rock" or "the rock people".
  • Speaking to a Dutch journalist soon after Amarok's release, Mike Oldfield commented on the title: " It doesn't have a real meaning but it's similar to many Gaelic words, like those for morning or happy. And if you split the letters up, you get Am-a-rok... it could mean: am a rock. Maybe that implies I don't want to change anything by following trends. "

Track listing

The album-long track and its 'movement' names:

  1. (60:02) "Amarok"
    • 00:00 - Fast Riff Intro
    • 02:32 - Intro
    • 05:46 - Climax I - 12 Strings
    • 06:18 - Soft Bodrhan
    • 07:20 - Rachmaninov I
    • 08:35 - Soft Bodrhan 2
    • 09:29 - Rachmaninov II
    • 09:56 - Roses
    • 10:42 - Reprise I - Intro
    • 12:45 - Scot
    • 13:16 - Didlybom
    • 15:00 - Mad Bit
    • 15:56 - Run In
    • 16:11 - Hoover
    • 18:00 - Fast Riff
    • 19:57 - Lion
    • 21:57 - Fast Waltz
    • 23:42 - Stop
    • 24:33 - Mad Bit 2
    • 24:46 - Fast Waltz 2
    • 25:06 - Mandolin
    • 26:07 - Intermission
    • 26:23 - Boat
    • 29:27 - Intro Reprise 2
    • 32:07 - Big Roses
    • 33:13 - Green Green
    • 34:24 - Slow Waltz
    • 36:04 - Lion Reprise
    • 37:05 - Mandolin Reprise
    • 37:47 - TV am/Hoover/Scot
    • 39:50 - Fast Riff Reprise
    • 42:22 - Boat Reprise
    • 43:32 - 12 Rep / Intro Waltz
    • 44:12 - Green Reprise
    • 44:46 - Africa I: Far Build
    • 48:00 - Africa I: Far Dip
    • 48:46 - Africa I: Pre Climax
    • 49:32 - Africa I: 12 Climax
    • 50:24 - Africa I: Climax I
    • 51:00 - Africa II: Bridge
    • 51:17 - Africa II: Riff
    • 51:34 - Africa II: Boats
    • 51:52 - Africa II: Bridge II
    • 52:10 - Africa II: Climax II
    • 54:22 - Africa III: Baker

Lyrics excerpts

  • The "Sondela" finale of "Africa III" (from 58:44 to 60:02, the end), sung in the Xhosa language:
" Sondela / uSomandla / sukuma / wena / obengezela. "
Come closer / the Almighty / arise / you / shining one.
(Come closer to us, o Almighty : arise, you who shines.)

It can be noted how this asks the godhead, assimilable to the Sun, to stand up and come to us, instead of the reverse.

Personnel

Quotes

"I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and laments like a priest..."

From the short story included in the liner notes

External links

Herramientas personales